ACT I


Rigoletto is the Court Jester in the palace of the Duke of Mantua.  At a party in his palace, the Duke lightheartedly boasts to his courtiers of his amorous conquests.  He escorts Countess Ceprano, his latest prize, to a private chamber as his hunchback jester, Rigoletto, makes fun of her husband.  Marullo announces to the other courtiers that Rigoletto is rumored to be keeping a mistress.  Ceprano plots with the courtiers to punish the hated jester.  Attention is diverted when Monterone, an elderly nobleman, enters to denounce the Duke for seducing his daughter.  Ridiculed by Rigoletto and placed under arrest, Monterone pronounces a curse on both the Duke and his jester.  The Duke laughs it off, but Rigoletto is shaken to the bone by the father’s curse.



ACT II


On his way home later that night, Rigoletto broods on Monterone’s curse.  Rejecting the services offered by Sparafucile, a professional assassin, he notes that the word can be as deadly as the dagger.  Greeted by his daughter, Gilda, whom he keeps hidden from the world, he reminisces about his late wife then warns his house-servant servant, Giovanna, to admit no one.  But as Rigoletto leaves, the Duke slips into the garden, tossing a purse to Giovanna to keep her quiet.  The nobleman (in disguise) declares his love to Gilda, who has noticed him in church.  He tells her he is a poor student named Walter Maldè, but at the sound of footsteps he rushes away.  Tenderly repeating his name, Gilda retires.  Meanwhile, some courtiers stop Rigoletto outside his house and ask him to help them with a prank.  They tell him they intend to abduct Ceprano’s wife, who lives across the way.  The jester is duped into wearing a blindfold and holding a ladder against his own garden wall.  The courtiers break into his home and carry off Gilda.  Rigoletto, hearing her cry for help, tears off his blindfold and rushes into the house.  Horrorstruck over what has happened, he remembers Monterone’s curse.



ACT III


In his palace, the Duke is distraught over Gilda’s disappearance.  His courtiers suddenly return, saying it is they who have taken her and that she is now captive in his bedchamber.  The Duke joyfully rushes off to the conquest.  Soon Rigoletto enters, warily looking for Gilda.  When he tries to enter the Duke’s bedchamber, the courtiers violently bar his way.  They are astonished to learn the girl is not his mistress but his daughter.  The jester reviles them, but then asks them for pity.  Gilda runs in and shamefully tells her father of her abduction and violation by the Duke.  As Monterone is led to the dungeon, Rigoletto vows to avenge them both.



ACT IV


At night, outside Sparafucile’s run-down inn on the outskirts of town, Rigoletto and Gilda watch as the Duke flirts with the assassin’s sister and accomplice, Maddalena.  Still, Gilda proclaims her love for him.  Rigoletto sends his daughter off to disguise herself as a boy for her escape to Verona then pays Sparafucile to murder the Duke.  As a storm rages, Gilda returns.  She overhears Maddalena persuade her brother to kill not the Duke but the next visitor to the inn instead.  Resolving to sacrifice herself for the Duke despite his betrayal, Gilda enters the inn and is stabbed.  Rigoletto comes back to claim the body and gloats over the sack Sparafucile gives him, only to hear his supposed victim singing in the distance.  Frantically cutting open the sack, he finds Gilda, who dies asking his forgiveness.  Monterone’s curse is fulfilled.

GIUSEPPE VERDI

Saturday, April 10, 2010  (8 p.m.)

Tuesday, April 13, 2010  (7 p.m.)


Andrew Jackson Hall, Tennessee Performing Arts Center

SunTrust, co-sponsor

Premiere Cocktail Supper

April 10, 2010


Cocktails & a scrumptious meal before RIGOLETTO.


More!

PRE-SHOW PREVIEW TALKS

Opera Insights: one hour before curtain at every performance.

ENGLISH TRANSLATIONS

Nashville Opera always projects English translations above the stage.

http://patron.tpac.org/nopr/main.taf?p=9,5&genre=nashville%20opera