Nashville Opera's Mission
To create artistic experiences that elevate our world.
CEO & Artistic Director
Mr. Hoomes has been the artistic director of Nashville Opera since 1995. Also a freelance stage director, he has directed over 150 productions of opera and music theatre in the US, South America, and Canada. The New York Times declared his Nashville Opera world premiere of Elmer Gantry “An Operatic Miracle...in Nashville.” A June 2010 Opera News feature article acknowledged, “Hoomes has proved himself one of the most interesting stage directors in the regional market today with a seemingly limitless knowledge of repertoire.”
Since receiving his masters degree at Indiana University, Mr. Hoomes has worked for many professional opera companies including Opera Lyra Ottawa, Teatro Colón, Cincinnati Opera, The Lyric Opera of Kansas City, Opera Philadelphia, Opera, Indianapolis Opera, Pittsburgh Opera, and Opera Columbus.
Mr. Hoomes has directed, among numerous other productions, Salome, Rigoletto, Tosca, The Pearl Fishers, La Bohème, Carmen, and Der Rosenkavalier for Nashville Opera; Madama Butterfly and Carmen for Kentucky Opera; Die Fledermaus and Susannah for Indianapolis Opera; The Marriage of Figaro, Rigoletto, and La Bohème for Opera Carolina; Don Giovanni, Elmer Gantry, and Salome for Florentine Opera; Don Giovanni for Opera Cleveland; Ernani and Jenufa for Sarasota Opera; and Turandot for The Opera Festival of New Jersey, Nashville Opera, Opera Columbus, Opera Memphis, and Opera Carolina.
Recently Mr. Hoomes staged the world premieres of Robert Aldridge’s Elmer Gantry, which was recorded on Naxos Records, and songwriter Marcus Hummon’s chamber opera Surrender Road at Martha Rivers Ingram Hall in Nashville. He also directed the Southeastern professional premiere of two contemporary pieces, Poulenc’s La Voix Humaine and Peter Maxwell Davies’ The Lighthouse. In fall 2009 Mr. Hoomes directed the Tennessee premiere of The Fall of the House of Usher by composer Philip Glass, a groundbreaking multi-media production, critically acclaimed both by the Wall Street Journal and Opera News.